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| Military Technologies of the World |
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T.W. Lee, "Military Technologies of the World" Praeger | 2008 | ISBN: 0275995356 | 408 pages | PDF | 14,1 MB From the introduction of gunpowder to the reigning era of nuclear weapons, military technological advances have been at the forefront of change. These changes in weaponry have influenced the outcome of many historical events and the downfall or success of major civilizations. All nations have sought to improve military technologies in the hope of gaining the upper hand in conflict. The developments in guns, cannon technology, warships, tanks, and airborne and space weapons, have been crucial in the ever-changing face of war. While it is inherent in human nature to seek better weapons for survival, the use of this weaponry will continue to make an impact on history. Through careful examination of the science and engineering of these weapons, persons can continue to venture into the field of military weaponry with an outlook towards the future. Through the many advancements made in military weaponry, our civilization is one that continues to change in the face of war. Technological advancements made in this area improve upon current war tactics and often are the basis behind military warfare. Technology has proven to transform history, lending itself to be one of the most powerful assets of the human race. Breakthroughs in military technology prove to be at the forefront of war and in many cases the result of war is directly connected through these advancements. In history, major civilizations have seen their rise or downfall through the elevation of weapon technology. Lee delves into the engineering and science behind major weapons such as: guns, cannons, fighter and stealth aircrafts, various types of missiles, attack helicopters, aircraft carriers, nuclear submarines, main battle tanks and future weapons. He comprises the knowledge behind the weapons along with an understanding of how the weapons are used and applied to modern warfare. By showing how weapons have changed military warfare, he explains the human nature to seek better weapons for survival, protection, and domination of resources. |
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| The Offensive Art: Political Satire and Its Censorship around the World from Beerbohm to Borat |
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Leonard Freedman, "The Offensive Art: Political Satire and Its Censorship around the World from Beerbohm to Borat" Praeger | 2008-11-30 | ISBN: 0313356009 | 216 pages | PDF | 2,2 MB
The Offensive Art is an arch and sometimes caustic look at the art of political satire as practiced in democratic, monarchical, and authoritarian societies around the world over the past century-together with the efforts by governmental, religious, and corporate authorities to suppress it by censorship, intimidation, policy, and fatwa. Examples are drawn from the full spectrum of satiric genres, including novels, plays, verse, songs, essays, cartoons, cabarets and revues, movies, television, and the Internet. The multicultural and multimedia breadth and historical depth of Freedman's comparative approach frames his novel assessment of the role of political satire in today's post-9/11 world, and in particular the cross-cultural controversies it generates, such as the global protests against the Jyllands-Posten cartoons. In a tongue-in-cheek style peppered with the world's best one-liners from the last century, The Offensive Art recounts the acrimonious and often perilous cat-and-mouse games between political satirists and their censors and inhibitors through the last century in America (especially FDR, LBJ, Nixon, Reagan, Clinton, and Bush II and in wartime), Britain (especially Churchill, Thatcher, Blair and the Royals), Germany (Hitler to the present), Russia (Stalin to the present), China (Mao to the present), India (from the Raj on), and the Middle East (from 1920s Egypt to today). Freedman focuses on the role and transformation of satire during shifts from authoritarian to democratic systems in such places as South Africa, Argentina, and Eastern Europe. He surveys the state of satire throughout the world today, identifying the most dangerous countries for practitioners of the offensive art, and presents his findings as to the political efficacy of satire in provoking change. |
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