Selma is a young Czech mother living in Washington state in the early 1960s. How she loves musicals! Alas, she is going blind, and this is threatening her job (not to say her limbs) at the local factory, where she is friends with Cathy, who is a bit flummoxed by Selma's increasing workload, which includes pinning hairpins to unbent cardboard as a side job.

Selma lives with her understandably ungrateful 12-year-old delinquent son in a mobile trailer on the property of a local sheriff and his happy-go-lucky wife. One day, the sheriff reveals a dark secret to Selma, and being the type to cement friendships, she tells him a secret, too: that she is going blind. Life spirals downard for her after this revelation, but Selma is resolute in protecting her friend's secret.

Cathy, who grows increasingly frustrated with Selma's decisions, comes to realize Selma's methodology was right after all, and in the gripping final moments of the film, she tells Selma that she did right.

This is a curious, highly depressing, yet exhilarating film (with various experimental camera techniques) about the power of friendship and maternal love -- not to be watched alone!


A film so perfect it hurts to watch.

This is quite possibly the most moving film I've seen, it ensnares you within the first minute, or Bjork does with her interpretation of the sound of music, which is both hilarious and introduces one of the main themes: the magic of musicals. Not one of my favourite genres (but everyone loves The Sound Of Music, right?) but Lars Von Trier makes you re-evaluate your perception with a gentle loving pastiche of the way for no reason people and things in musicals spontaneously erupt into song, made more credible in this film by implicating a reason for it: Bjork's character is going blind so she hears music in the slightest thing and she, in her mind, sees how moves should be choreographed with the music she hears, reminiscent of her own ?It's Oh So Quiet' music video. And the best thing about this film is the way Bjork charms you with her portrayal of the nicest person in the world, she will do anything for you if she could. She is essentially an innocent and though this is her weakness you can't help but love her all the more: a sparkling performance from a unique singer in real life.

However from this don't assume that this is a light happy film as there is a dark tragic side also, and this side is full of injustice, agony- and I mean agony-, sorrow- like you'd not believe-, and an intense emotional pull as I've ever felt in a cinema before, and it's this half that propels it from being just a great film to becoming one of the greatest. Its greatness is in telling a simple story of a woman trying to stop her own genetic sight disorder afflicting her son, by working every hour to afford the operation, working heavy machinery despite essentially being virtually blind, its greatness is its ability to inflict upon you the gift of feeling every conceivable emotion you posses and you do, you really do experience so much during this film. But I'll not say too much as my enjoyment of this film increased due to, for a change, not second guessing what would happen but to just let it be, I would say to passively watch but there's nothing passive about this film. It really moves you. It makes you feel alive.

This film should be seen alone, in the quiet when you are all by yourself, but more importantly than that it should be seen: this is more than mere movie this is art this is real this is the greatest film I have ever seen: even better than Casablanca, and Shadowlands, and The Piano.

ENJOY!